Angelika Kauffmann
1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints. Related Paintings of Angelika Kauffmann :. | Elektra gibt ihre Schwester Chyrsothemis ihren Gurtel und die Locken des Orest fur das Grab Des Agamemnon | Lesende | Bildnis Anne Loudoun,Lady Henderson of Fordell | Fruhwerk | Skizze zum Familienbildnis Bariatinskaja | Related Artists: Andreas RitzosGreek Byzantine Style Painter, 1422-1492 Ernest Hebert1817-1908
French
Ernest Hebert Gallery
He was born in Grenoble and died in La Tronche. His painting Mal aria was exhibited in the Salon of 1850-1851, and now hangs in the Musee d Orsay, Paris. Painted in a Romantic style, it depicts a family of Italian peasants escaping an epidemic by raft, a scene inspired by events Hebert had witnessed while in Italy.
His student Paul Trouillebert was an important artist of the Barbizon School.
The artist house is preserved in the Musee Hebert in the VIe arrondissement of Paris. There is another museum near Grenoble. George Henry DurrieAmerican Painter, 1820-1863,American painter. Durrie and his older brother John (1818-98) studied sporadically from 1839 to 1841 with the portrait painter Nathaniel Jocelyn. From 1840 to 1842 he was an itinerant painter in Connecticut and New Jersey, finally settling permanently in New Haven. He produced c. 300 paintings, of which the earliest were portraits (e.g. Self-portrait, 1839; Shelburne, VT, Mus.); by the early 1850s he had begun to paint the rural genre scenes and winter landscapes of New England that are considered his finest achievement. His landscapes, for example A Christmas Party (1852; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.), are characterized by the use of pale though cheerful colours and by the repeated use of certain motifs: an isolated farmhouse, a road placed diagonally leading the eye into the composition, and a hill (usually the West or East Rocks, New Haven) in the distance. By the late 1850s Durrie's reputation had started to grow, and he was exhibiting at prestigious institutions, such as the National Academy of Design. In 1861 the firm of Currier & Ives helped popularize his work by publishing prints of two of his winter landscapes,
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